I like the way Firework entered into Dark Horse in the R1 Weekend so I kept it. Pendulum and Firework are not too far off sonically, so it doesn't sound too strange.Īct III starts with Dark Horse and uses that kind of sound for the entire section. This section basically refers to Katy's hits and also shows that she still has them and goes onto two of the more singleworthy songs on the album - Roulette and Pendulum - with the latter then going into one of (if not) her biggest hits Firework. Therefore, Bon Appetit was chosen (due to CTTR sounding too samey and working better in the encore) to follow Witness, and then followed by Hey Hey Hey.Īct II then opens with Teenage Dream. Since this is the Witness tour, the first act should be Witness-material only, but be short enough to bring in some hits with Act II. It's the tour name it's the theme of the era. Birthday or This is How We Do Īct I obviously opens the tour with Witness like the track opens the album. Don't have visuals and things planned out, but I have a general sound I suppose.ġ5. Ok, so for my basis, I used the Radio 1 Big Weekend performance but switching out CTTR for Witness as the opening song, and putting CTTR as the song before roar in the encore, and filling the rest in with Witness tracks and other hits. What do you think of my setlist guys? What would you add/remove?Ĭreate your own setlist/tour ideas and post them so we can all witness them! Video Interlude (with elements from Circle The Drain)ĪCT IV: SELF-CONSCIOUSNESS (Acoustic Act)ġ3.- The One That Got Away / Thinking Of You Video Interlude (with elements of Pearl & Who Am I Living For) Intro Video (with elements of Wide Awake, Part of Me & Tsunami) Each act would represent a different kind of liberation/realization. The tour would talk about the reality of the world we live in and how to be liberated in all the aspects of your life. You can post songs, interludes, ideas for acts and all the stuff you want. Now that the album has been released it's time for you to create your own setlist/idea of what the tour would be like or how you'd like it to be. I didn’t have any expectations going into the show, and I left the Schott scrolling through my phone for new Katy Perry and Noah Cyrus music immediately.Okay, guys. Even though her set was a little short, she did a great job of holding everyone’s attention throughout. The 17-year-old ran through songs like “I’m Stuck,” “Again,” and “Make Me (Cry)” with the confidence of a seasoned star. Miley Cyrus’ younger sister has been making a lot of noise with her music this year, and for an arena-sized crowd, she was a big ball of energy throughout her entire set. Long before the final applause, budding pop star Noah Cyrus opened the show. To finish off her flawless performance, Perry illuminated the Schott with her 2013 hit “Roar.” After the crowd refused to go home, She decided to perform an encore and cap the night off with “Firework” –– one of her biggest hits to date. Usually with arena tours, fans can sometimes feel like an artist is just going through the motions from city to city, but Perry added a personalized touch to the Columbus stop of her tour.ĭuring a break between songs, Perry told the audience she wanted to “call her mom” back home because she missed her, but the audience didn’t expect her mom to ask her about “Engagement, Ohio.” Confused, her mom told her “it’s located in between Dayton (Daytin’) and Marion (Marryin’),” a nice nod at a classic joke that no one in the audience expected. Perry commanded everyone’s attention as she ran through hits from all her albums including “Dark Horse,” “Teenage Dream” and “Hot N Cold” –– which received the biggest crowd reaction once she strapped on a guitar and an LED vest that flashed lyrics to the song. The backdrop of the stage was an enormous eyeball that blinked and looked around the entire arena before the concert began, centered behind a long runway that snaked through half of the floor.īacked by a full 1980’s-inspired band, leather pants and big blonde hair in tow, Perry soared in on a flying star to her album cut “Witness,” which brought the entire arena to its feet for the rest of her setlist.įull of striking visuals, colorful set pieces and amazing dancers, there was never a dull moment. The pop star vet, who has had hit after hit on the Billboard Hot 100 for nearly a decade now, has been on her fourth headlining tour.īefore the show started, the stage design made it evident that the crowd was going to be in for a visual spectacle like few other shows could pull off. Katy Perry pulled out all the stops for her electrifying concert Sunday night at the Schottenstein Center.
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